As I read more about Basil Bunting for the critical portion
of my PhD, and in preparing my paper this coming Saturday (which is only
partially about Baz), I find myself getting irrationally-but-steadily-more-annoyed
by the following quote, which he made in an interview recorded in 1981 (ed.
Richard Swigg, re-quoted here from Don Share’s authoritative new Faber edition,
The Poems of Basil Bunting):
“What is called “Geordie” is a bastard
language, it’s a mixture mainly of south Northumbrian with the Irish that was
brought in by the labourers who came first to dig canals, then to build
railways, and finally settled down largely in the coal mines. So that a man
from Jarrow is speaking what has a double origin in Northumbrian and in
northern Irish.”
Are not all languages, and dialects, ‘bastard languages’
with, at least, dual origins? I understand and appreciate Bunting’s assertion
that Geordie is a kind of hybridised mix of multiple ‘old’ northern tongues,
forged both by necessity and serendipity in the mettle of the Industrial
Revolution, along the banks of one of its great commercial rivers (the Tyne),
but I detect a smug sense of superiority which seems to claim that a more authoritatively
(because older) Northern vernacular lies behind it.
Sure, parochialism in its rawest sense is probably at play
here: Basil Bunting was, as he was at pains to reiterate, a Northumberland man;
and I am not. Bunting was not fond of the county boundary changes in the 70s, which would lead to the formation of Tyne and Wear, the metropolitan
county borough which I have written and taken to be part of my address all of my life. And, yes, it’s
true: certain partisans of the old county system still refuse to write ‘Tyne
and Wear’ where ‘Durham’ or ‘Northumberland’ will do the job nicely
thankyouverymuch.
Part of me thinks that this is all bollocks anyway:
arbitrary borders, especially in as far as they are nearly always not real (certainly in the English
counties sense), are part of this problem we now have of ‘us’ and ‘them’, ‘here’
and ‘there’. They are ways and means of tricking us into pens; siloing our
concerns away and signifying them as ‘different’, when more often than not they
are ‘same’, or ‘similar’.
I’d still venture that most people outside of the region
(Northumberland, County Durham, Tyne and Wear and the Tees Valley – the North-East)
would still say – yes, simplistically, in too-broad-brush-strokes – that we all
speak Geordie. This is not accurate and belies the richness, variation and
tonal dexterity of the region’s many accents and dialects, but to John Smith
from Kent or Jane Doe from Shropshire, whether we’re from Berwick or Billingham,
we pretty much all – or might as well all – speak with what they perceive to be
Geordie accents.
Basil, then, is right to point out the complex ways in
which Geordie is an inheritance of Irish and Northumbrian; but I think he is
also wrong in that Geordie also influenced and shaped the Northumbrian accent
of today. If the Geordie accent ‘peaked’ during the Industrial Revolution,
sometime between the late-nineteenth and mid twentieth-centuries, and has been ‘receding’,
‘softening’ (or, as I prefer, ‘evolving’) since the late 1980s, then we must
also assume that its influence spread north and west, co-mingling and
co-habiting with more traditional, rural Northumbrian accents in towns like
Hexham, Morpeth and Alnwick.
Thanks in part to the surge in international broadcast
media, the general trend towards globalisation of goods, services and labour,
and the calculated and measured decline of the once-prodigious manufacturing
bases around the three (main) North-Eastern rivers (Tyne, Wear, Tees), the
North-East’s accents are undoubtedly not as strong as they were 30-plus years ago.
I notice this in the variation between my own accent and that of my parents and
grandparents, the latter of which would be termed the ‘broadest’.
In many ways this is common sense stuff; and I have
perhaps, in writing this, become as finicky as Bunting in highlighting the
whole issue. However, as somebody fiercely proud to be from South Tyneside,
born a kick in the pants from Jarrow, whose lineage traces directly back to
Irish labourers, and who ultimately draws his surname from that great
Scottish-Gaelic pool, I say: ‘Aye, it’s a propa bastad language, and aa bliddy
love it.’ I think the Geordie accent, which I am proud to retain a diluted
version of (but which I can and do ‘ramp up’, depending on company, excitement
and/or levels of alcohol consumed) is a beautiful thing and not mutually incompatible
with any of the various Northumbrian tongues. Listen to folk in Seashouses, for
instance: it sounds initially like something you’d hear in Shields or Whitley
Bay, but it’s quite different, and I think that’s a great thing!
Two things for the record: first – I am not a linguist;
second – I love Basil Bunting’s poetry dearly. The fact that Faber & Faber
have finally put out this edition is absolutely mint. But my God, he was some
boy of an antagonist when the occasion took him!
