It’s hard
not to be taken under the spell of the river Tyne. River Runs, a celebration of the ‘big river’ in song and spoken
word, certainly makes you think so.
Performed
in the main auditorium at The Customs House in South Shields, a venue which, I
must admit, I had my doubts about (more because of its size than anything
else), the 8 performers managed the impressive feat of playing to a largely
empty auditorium and drawing the focus to the front of the room so that it felt
like a cosy gig in the back room of The Steamboat.*
In
narrative terms, River Runs is a song
and verse line for the journey of the river Tyne. From its source in the hills
and valleys of Northumberland and the Borders, to its confluence (the rivers
North and South Tyne meet near Hexham) and subsequent journey through various
towns til it spills out into the North Sea, this show is concerned with what
the river gives and what the river leaves behind.
Personal
narratives overlap with common histories; tragedy overlays euphoria. How this
translates into a stage show is masterful in its simplicity. The 8 performers
seem to conjure the river, picking at it for stories, for anecdotes, for truths
about life. Kate Fox tells us about training for the Great North Run down at
Newcastle Quayside; Jeff Price remembers fights in the Bigg Market; Degna Stone
worries about a Samaritans sign on the High Level Bridge; Alfie Crow remembers
the smells of Wallsend; Aidan Clarke recalls his youth in the North Tyne
Valley.
It would
be unfair and unnecessary to dwell too long on individual stories: the performances
worked so well because of their chemistry – because of the democratisation of the
stage. It would have been tempting to allow ‘names’ to dominate River Runs, so it was to the show’s
credit that – despite each of the performers being well-respected within their own
respective artistic circles – it resisted such easy billing.
Highlights
for me (which now feels slightly arbitrary), include the story of Tommy the
Swing Bridge busker, a wily singer who avoided arrest by moving between the police jurisdictions
of Northumberland and Durham in the middle of the river, and Simma’s ‘Hexham
Song’, where he “left for Hexham with one girl and came back with two”, a song jammed
full of soul but not reductively sentimental for being so. Ben Holland and
Bridie Jackson bookended the other performers, showing that basic stagecraft
often works the best. Wielding acoustic guitars and ethereal vocals, their folky
vignettes punctuated the other performers’ works, bringing a sense of collectivity
to the more introspective numbers. As Jeff Price noted, introducing his ‘sins’
poem, rivers are well known for hearing our confessions and drowning them: the
personal becomes part of the universal.
Running
for just over an hour, including a short interval, River Runs is a welcome addition to the canon of mythology that
surrounds the great river. There were no props, no sets, no gimmicks: this was
simply 8 people connecting with each other and with their audience. I hope this
show gets the wider audience it so very much deserves.
*The
Steamboat, just over the road from The Customs House, is the best pub in South
Shields [according to JC and CAMRA].
L-R: Ben Holland, Aidan Clarke, Alfie Crow, Degna Stone, Jeff Price, Simma, Kate Fox, Bridie Jackson |
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